![]() ![]() Confessions of a Justified Sinner narrates the declension of sympathy into a sublime technique that colonizes the other's difference and undoes the self itself. ![]() ![]() The essay sketches a genealogy for this representation through Enlightenment theories of sympathy. Today, youll be hard-pressed to find anyone who remembers Paul Bright and his adaptation of James Hoggs groundbreaking 1824 novel The Private Memoirs and Confessions of a Justified Sinner. Fanaticism appears as the dialectical product of objective historical processes of modernization, a more radical ideology of modernity, rather than some primitive, residual, or atavistic moral force. ![]() The division of narratives maps the conceptual antagonism between civil society, a collective composed of individuals and a formal system of regulated differences, and fanaticism, the moral and psychic disintegration of individualism, upon which the liberal political imagination is founded. Hogg's novel narrates the formation and dissolution of the fanatic whose subject position, historically inside the field of civil society yet ideologically outside it, assumes a relentless antagonism to its norms. This essay analyzes the challenge issued by James Hogg's The Private Memoirs and Confessions of a Justified Sinner (1824) to the liberal regime of early nineteenth-century British fiction. ![]()
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